Tuesday, May 31, 2011

Technology: Now It's Personal. Thinking strategically about how technology impacts what we do as publishers.

This speech was conducted several weeks ago for a group of Pace University students in the publishing business program. It is a long speech but traces some of my business experience and history.
“Technology: It’s Personal” is the general theme of this commentary. Though long anticipated, this transition has been a slow burn in publishing. I remind people all the time that, while at PriceWaterhouse in the mid-1990s, I participated in several high-profile pitches to large publishing companies which focused on “format-neutral publishing,” which meant delivering content in whatever form the user wanted. I could dust off some of those presentations even now because many publishing companies still face some of the same challenges.
I even go back to my bookstore days.

Good evening. I am honored to have been asked to address this group this evening as part of the Eliot Schein lecture series. I’ve been looking forward to imparting some of what I’ve learned since I started my career, as many of you are about to do. My topic this evening covers how I interpret the influence of technology on publishing and what we as publishing professionals should try to do to think strategically about how technology impacts our businesses.
Watching and participating in the transformation of the publishing business, as technology has become embedded in everything we do, has been not so much a choice as a job requirement. When I think of technology in its broadest possible definition over time, it seems to me that technology has always represented an impersonal rather than a personal experience. In publishing technology has always been a tool rather than something with which we interact from the invention of the first printing presses to the Mac computer. Each radical new technology delivered incredible benefits, but there was always a separation between its use as a tool and the final published product.
It is only recently that this separation has become compacted so that the tool has now become part of the product. Increasingly, we are beginning to see technology embedded in the personal relationship we have with publishing products. These products are now delivered uniquely, manipulated for a unit of one and offer many other benefits, such as the ability to mix and remix content. In concert, there is virtually no difference between the capabilities the user has access to in their job and at home. The consumer can be sitting at home creating his own photo book or working in a hospital emergency room referencing medical information at the point of care. Technology both enables this and has become part of the experience: Technology is now synonymous with our relationship with content.
“Technology: It’s Personal” is the general theme of this commentary. Though long anticipated, this transition has been a slow burn in publishing. I remind people all the time that, while at PriceWaterhouse in the mid-1990s, I participated in several high-profile pitches to large publishing companies which focused on “format-neutral publishing,” which meant delivering content in whatever form the user wanted. I could dust off some of those presentations even now because many publishing companies still face some of the same challenges.
To be clear, I am not a technologist. I have a ‘manager’s’ knowledge and understanding of technology and I am always most concerned with the utility of the technology and how it serves to achieve business objectives.
I often underestimate how interested people are in my background, so let me give you an overview of where I came from as a context for my comments.
My parents met each other… Oh wait-different speech.
In my final semester at Boston University, I had amassed enough credits to graduate but BU had a three-semester residency requirement for graduation so I took a light course load and an almost full-time job at the Museum of Fine Arts in Boston. After graduation, I became the book buyer for the store making $12,400 per year. As you can imagine, basic survival – shelter and food - was only possible by working 20 extra hours of overtime each week.
I learned more in that job than I think I appreciate: How to deal with staff, merchandising, customers and customer relations and working with vendors, for example. I dealt directly with many publishers’ ordering and customer service departments and, as a result, became eternally grateful for the Ingram Book Company. We did everything on paper. I counted inventory on index cards – by literally walking around the store to count titles and I ordered stock on order forms in triplicate.
My boss got a computer and on it was the spreadsheet software LOTUS 1-2-3. Unbelievable -you could do your numbers on a machine! But no one was allowed on it except the boss. I snuck on when I was working late but never really got the utility of the thing. Nevertheless, I was inquisitive and, at one point, I tried to reprogram our store point-of-sale consolidator. As a result, for about a week our cash reports and receipts were puzzlingly out of balance. I learned that being correct in theory isn’t any good for accounting and we put things back the way they were.
I enrolled in the MBA program at Georgetown because, I can say without any embarrassment, I wanted to make more money. After graduation, I ended up on the corporate staff at Macmillan, Inc. and, interestingly, my book retail experience played an important role in getting this job. Now, you may think you know Macmillan; in fact, this company in the late 1980s was not the company that now works out of the Flatiron building. Macmillan was a $2billion publishing holding company that operated virtually every type of publishing going: adult trade, trade reference, database and professional, language learning, education and even bookclubs. If there was ever a great introduction to publishing, it was working at this company at the corporate level where my colleagues and I had a front-row seat on how publishing companies operate. Macmillan was broken up by the mid-1990s after the media empire of Robert Maxwell collapsed.
From Macmillan corporate I transferred to Berlitz International – an operating unit – and over three years I got to travel a lot and manage a business. I applied to a classified ad in the New York Times and, amazingly, ended up working at PriceWaterhouse Coopers as a consultant in their Media and Entertainment consulting practice. At PWC, I worked on many different engagements - not just in publishing but also in the advertising industry - which was tremendous fun. To this day, my best project was an intensive, four-month project for an international advertising agency that defined the gaps between the agencys’ existing technology and their ability to match their clients’ technical sophistication.
After PriceWaterhouse, I joined RR Bowker and ran that company as President. Since 2006, I’ve been consulting on my own, although I much prefer business operations to consulting. Most of the recent engagements I’ve consulted on are oriented around the marriage between technology and business strategy. I really have no idea how this focus developed but the direction of my career does reflect the way the publishing business has been transformed over the past 20 years so I guess it shouldn’t be a surprise.
As I thought about this lecture, I thought I would first reflect on some ‘lessons learned’ relevant to the use of technology in publishing and then illustrate how I interpret the personalization of technology within the publishing context.
Lesson 1: Perspective and relevance are very closely related partners in planning.
As I noted earlier, I believe that each successive new technological advance is eroding the distinction between “the thing” and the technology that enables it. Publishing is increasingly illustrating this trend. For the average consumer, technology is becoming more and more personal. Traditional publishing long ago lost any lead position as a technologically innovative industry and is left to adopt and adapt the technologies others have developed.
The danger in this for all of us is in maintaining some perspective in this rapidly evolving world: This is so important as we try to define the products and services we want to offer our customers. Technology is so embedded in consumer behavior and moving so quickly that we really don’t have time to appreciate or reflect on our past experience so that we might anticipate its future direction.
When I joined Macmillan in the corporate planning department we had no computers. Any presentation material, charts or graphs – numbers or not – went into “typing”. Anyone watch MadMen? All those desks lined up in the middle of the floor – that’s ‘typing’. Our department at Macmillan wasn’t as extreme since we only had one typist.
Shortly after starting, I was tasked with putting together the initial proposal for four new IBM personal computers. When these arrived, one of them went on the desk of the boss and the other three went on these little carts. So the five analysts in the department shared the three computers on carts for about 18mths. We were perpetually wheeling them around from office to office. What’s interesting about that experience – while funny in retrospect – is that our perspective was so narrow. These machines, while not even convenient, represented such a huge advance in our capabilities that we lost our perspective. None of us at Macmillan spent anytime really thinking what a computer could or would mean to our customers and, more importantly, we didn’t think about how computing might evolve.
That might not have been that important had not the members of the department represented the future management of the company. And it strikes me that we can often get so wrapped up in the newness of something – like an iPad – we miss the implications of the new technology we have at hand. I didn’t see the future iPad as a derivation of my IBM desktop experience just like some of you might not in see the connection between the iPad and the chip imbedded in your eye socket in 20 or 30 years – or whatever. Sure, I agree it is impossible to be fully predictive, but if you want to be a leader in this business you should show a willingness and desire to challenge your current perspective and extrapolate. That’s where true insight comes from and that’s what will make you valuable to your employer.
Alvin Toffler might find predicting easy; for the rest of us, it’s quite difficult. The important thing to realize is that thinking about the future isn’t really about being ‘right’ but about extrapolating beyond your current circumstances. One fun workshop I have conducted tries to accomplish this by proposing as many as ten future scenarios to a group who then vote independently on the likelihood of these scenarios occurring. As a group, we then pull each scenario apart and discuss them separately. Each scenario needs to be relevant, thought out in advance and managed correctly to get the participants really thinking about the implications of what might happen in their market and, in turn, what the impact might be on their company. Activities like these, and work that you do can on your own, will help to balance your perspective and make what you are discovering relevant to your business.
Which leads to my second lesson related to strategic planning:
Lesson #2: As technology moves faster and faster, planning – methodical and accountable - should be a counter weight.
I’ve noticed that traditional methods of planning and accountability to get short shrift as technology and rapid prototyping push us to operate faster and faster. In this environment – which is becoming the norm - it is important to be more accountable to time, money, resources and, most importantly, business objectives.
The rigid requisition process at Macmillan - by which every purchase had to be justified - was also mirrored in the annual strategic planning process. One of the functions of my old department was to put together the annual planning meetings for each business unit. In doing so, we had to gain a deep understanding of each business in a short period of time and, as I reviewed prior business reports and plans, I began to notice that, each year, many business units had simply recycled their strategies. Often word-for-word. So, in the agendas for my meetings, the first item was always something like ‘Describe how successful last year’s objectives and strategies were: Which ones worked and which ones were abandoned or failed to execute?’ My boss at the time rejected this item before any were sent out to the operating units and I still laugh at her reasoning: That it would be an unfair question because they hadn’t been told the year before that we would ask them in the following year to reflect on how they did.
Even as a wet-behind-the-ears recent grad I knew this was crazy thinking and, thankfully, publishing has now moved on from the attitude that accountability is “nice to have”. Defining return on investment and being accountable for the business strategies you support and promote is critical to a manager’s success and questions should and will be asked. I find, however, that few managers really grasp the fundamental concepts behind the idea that an investment has to return something to the business. You don’t have to be an accountant to understand this but, if you do, you will have an edge over your colleagues – (and, let’s face it, even some managers senior to you).
Thinking about the planning process, Macmillan’s strategic planning cycle (typical of many companies) was yearly and in today’s world that just doesn’t work. Business simply moves too quickly for a rigid annual planning program. In my recent experience, we’ve developed three-year strategy plans that we revisit in detail, at minimum every six months, and adjust and change as required. We also include frequent discussion of strategic objectives in monthly reports.

Translating strategy into tactics leads to another lesson.
Lesson #3: Your customers will be both intensely frustrating and also your most effective resource for executing your strategy.
I think of this in two parts: Firstly, you will overestimate how much your customer knows about your product (which is the frustrating part) and, secondly, only products that make the customer’s life easier or more productive are likely to be successful.
At Bowker, as our sales and marketing strategy matured, we began to reduce the number of sales reps in the market and replaced some of them with in-the-field product trainers. Trainers were responsible for educating our customers about the product after they had already purchased the database. Our trainers organized sessions at libraries and colleges across the US and I happened to attend a couple. In my very first one, the trainer was describing a basic component of the product – the inclusion of over 1million full-text book reviews – which, on the basis of sheer quantity alone are hard to miss – to a room of over 30 library staff who had had access to the product for over six months. Most attendees had no idea the reviews were in the product! My trainers frequently told me that type of response was typical of their sessions but that education and training always helped. If left unchecked, this type of disconnect can be devastating especially if you are dependent on recurring subscription revenues. Never take for granted that your customers will immediately appreciate or utilize any features of your products.
This leads to the second related lesson which is that we will only be successful if we solve problems for consumers and make their lives easier or more efficient. Many of you will have heard the catchall ‘workflow solutions’ to describe products intended to replace static databases or information products that have been converted from print to electronic. In many industries there is a ‘land-grab’ here because a publisher wants to be the platform deliverer of many database and information products and lock in the customer to a single-source arrangement. In professional segments such as legal, tax, medical, risk, etc., the competition is fierce and each vendor has built solutions that meaningfully improve the working life of their customers.
Simply launching some new application or feature is not a strategy for success. Technology is adopted only if it helps users do what they need to do in a better, easier, more efficient way. Our trainers became our most important asset in renewing customer accounts because they educated the customer about product capabilities and, as a direct result, we increased usage and integrated the database into their daily workflow. We also gained insight into the customer’s working environments which informed product management by providing key details about how customers were using, and could be using, our products.
Gaining active insight into the customer experience is important, and deploying in-market trainers is just one of many examples of ways to achieve it. Focus groups, interviews and “day-in-the-life” reviews are a few more.
Equally important is doing everything you can to expand your personal knowledge, understanding and experience so my next lesson is simple:
Lesson 3: You can be the expert.
If technology is personal, then your experience as a consumer is just as important as your experience as an employee. Expose yourself to as much new technology and as many new applications as possible. Actively managing your own career and recognizing where you need to improve upon your experience or expertise shouldn’t relate to age and my comments aren’t only applicable to those under 30. If you care about your career, constant self-evaluation and improvement is important.
When I left Bowker, I saw in that break an opportunity to educate myself about all the new things I didn’t have time for when working full time. Most of what I did was oriented around technology: I started a blog, put a bookstore up on Amazon, built a website and some other stuff. Each month, I also try to attend the meeting of the NY Tech Group, which brings together over 800 technologists, investors and hangers-on like me. At these meetings, about 10 new companies get to present their big new idea. I find the meetings fascinating. What I’ve been after is the development of my own personal experience with this technology that has suddenly become so accessible and potentially powerful. It is hard to maintain credibility in our media world now – at any management level – if you don’t have some specific experience with the types of technology your customers, employees, competitors, etc. are routinely using.
On a current consulting engagement, I am responsible for a production department in a large educational publishing company. I stole an idea from a friend of mine and gave my direct reports some homework: For the last fifteen minutes of our weekly status meeting, they report on whatever newfangled and interesting stuff they’ve discovered in the intersection between technology and publishing. Why would I do this? Because it helps lower the barriers and the intimidation factor – maybe even alleviate some embarrassment – for a staff that has been focused on technology that is now rapidly changing (to the point where some publishing staff don’t even consider printing to be a “technology”). As this company makes the transition from print on paper to electronic publishing, this production department will undergo incredible change and, unless they’re comfortable with new technology, they may not be able to adapt. And I should point out that I learn stuff from the staff during these discussions as well.
As a team, as we become more comfortable in exchanging information and educating each other, I think my next assignment will be to ask the group to do more interpretation – to take experiences from other industries (or even other segments of the publishing business) and think about how they might apply those experiences to what we do in educational publishing.
When I ordered those computers at Macmillan, they were called ‘personal computers’ but that’s not really what they were. Based on our collective experience with all of Apple’s products, only now are we experiencing technology that is truly personal. We carry it around, we choose our own products and applications, we upload and create our own content, and communicate and manage concentric circles of acquaintances and professional relationships. Arguably, technology has helped bridge the gulf between the personal and private worlds to such an extent that, to many, there is no distinction between the two. And publishers and content producers are following this lead by producing flexible and reusable content that consumers can integrate into their daily lives and activities.
As I wrap up my comments, let’s look at two examples where I see true personal technology: the app and medical publishing.
Firstly, the app world or environment is a true phenomenon that was virtually non-existent only three years ago. Some see the book app eventually replacing the traditional book experience – and remember that the eBook version is really a transferred experience from paper to electronic. The thinking is such that the book app will truly engage the reader in a multi-faceted experience far more expansive than the current book eReading experience. It will be a completely different experience and one significant by-product of this development will be that the publisher will be able to develop a variety of one-to-one relationships between themselves, their authors and contributors and readers. Whereas publishers formerly made assumptions and decisions on behalf of their consumers, the multi-faceted experience I mention will now place far more choice in the hands of the consumer – which will make their experience with the book app intensely personal. In an extreme case, a consumer will be able to turn a travel guide or civil war history book into their own scrapbook and invite others to engage with them around this content. In another, a quizzing app for medical students can serve up a unique set of questions and then adapt those questions based on your performance in answering the questions. And just think about all the fan fiction that could be collected around one vampire app series.

Lastly, to finish, many professional publishers have long proposed work-flow solutions for their customers and, in the provision of these, the relationship with the consumer has become closer and closer. Publishing in these segments used to be about mailing large printed directories; now, their content is embedded in a product or platform that is much more powerful and comprehensive. Using the ReedElsevier platform, a practicing attorney can manage his or her entire legal practice using practice development, research, legal submissions, accounting and more. Content is still important but is now only a small part of a much deeper relationship. The other aspect of this model is that the embedded nature of this relationship makes it harder for attorneys to end their subscriptions to the Lexus product.
And in all these cases, both the creator and the user are able to access and engage in the content via multiple platforms and, increasingly, that platform is some mobile device that further encourages the user to view the technology merged with content as a personal experience. While app development is significant today, we are really only just starting to see the full potential and opportunity in the development of personal technology especially as that transformation impacts our publishing business.
To conclude, I have suggested that publishers long ago gave up being the masters of their domain with respect to technology advances. We have certainly seen that recently with the iPad where trade publishers have scrambled to catch-up. I had been pessimistic about publishers’ prospects in readdressing this imbalance but I now think that view was premature. It wasn’t that long ago that publishing companies like Thomson and Reed Elsevier were dependent on technical advances made by their vendors and partners. Today, information and professional publishers provide the best examples of how content companies can re-write their future from a technology standpoint. These companies lead in the integration of content, technology and workflow tools and are not dependent on new products developed by Apple or Google. It is likely that education and trade publishers will eventually master their opportunities in a similar fashion. I believe we are already starting to see that unfold and it will only accelerate in the coming years.
Thank you.
From CCC:
First introduced at the 2011 London Book Fair, the “Great Debate” made its North American debut earlier today at the 27th Annual IBPA Publishing University! Four leading industry pundits argued for and against the resolution: “Authors and readers are all that matter. Publishers will soon be irrelevant.

Taking their sides were Rudy Shur, Publisher of Square One; Richard Nash, founder of Cursor, and named by Utne Reader as one of 50 Visionaries Who Are Changing Your World; Daphne Kis of SheWrites.com, longtime publisher and new media advisor; and Mark Coker, founder and CEO of Smashwords, and named by the Wall Street Journal as one of “Eight Stars of Self-Publishing”

Moderators were Susan Danziger, CEO of DailyLit, and Michael Healy, Executive Director of the Google Book Rights Registry.

The Audio is here

Monday, May 30, 2011

Patriot Act is Extended for another Four Years (LJ)

The extension leaves unchanged Section 215 (also known as the "library records provision"), which has always been a serious concern to the library community. Under the provision the FBI can ask a federal court for access to "any tangible thing"---including library records---relevant to a terrorist threat.

"ALA is more than disappointed in the final outcome," said Lynne Bradley, the director of the office of government relations for the American Library Association. "The library community has sought reasonable Patriot Act reforms since it was first posposed in the fall of 2001, and this would have been another opportunity to fix some of the grievances we have. But Congress decided to punt instead," she said.

ALA Preview from Publisher's Weekly starts off ominously:
In New York City, the New York Public Library (NYPL) system is celebrating its centennial—and facing potential funding cuts totaling $40 million, the worst hit in its 100-year history.

Indeed, despite absorbing a cut in FY2010, NYPL logged 40 million physical visits to libraries throughout New York City last year alone—more than all the local sports teams combined. In addition, there were 29 million visits to the NYPL Web site. If the proposed cuts go through, officials estimate the library may have to cut 650 full-time positions; hours would be trimmed to an average of three to four days per week; five million fewer items would circulate, and new book acquisitions would be cut by a third. One million fewer children and young people would be served by the library, and overall attendance would dip by an estimated six million. NYPL supporters are fighting back (takeaction.nypl.org), but it promises to be a tough battle.

Things aren't much better elsewhere in the Atlantic states. At the Harford County Public Library, in Belcamp, Md., the materials budget remains flat after sustaining a 20% cut in FY10. In North Carolina, the Charlotte Mecklenberg Library system has seen its proposed materials budget drop from $3.39 million in FY08 to $1.8 million in FY11. For the FY12 budget, the library has requested approximately $2 million be restored, and administrators are hopeful that the request will be considered.

With government help, the auto industry made a remarkable comeback in 2011—libraries in the industrial heartland could now use some support as well. The Detroit Public Library's FY12 budget, originally set at $35.5 million, is set to be reduced to $23 million. Tax revenues through 2015 are expected to be lower by almost 30%, according to spokesperson Atiim J. Funchess. Just last March, facing a $7.49 million deficit, Detroit laid off 20% of its library work force and lowered salaries by 10%.

In Dallas, the public library's materials budget has decreased from $3.9 million in FY06–07 to $1.6 million in FY10–11. In Houston, the Public Library's FY12 budget will shrink to $32 million, down from $39.3 million in FY10.
A Revolution in Writing from SEED Magazine:
Nearly universal literacy is a defining characteristic of today’s modern civilization; nearly universal authorship will shape tomorrow's.

In our analysis, we considered an author’s text “published” if 100 or more people read it. (Reaching 100 people may seem inconsequential, but new-media messages are often re-broadcast by recipients, and then by their recipients, and so on. In this way, a message can “go viral,” reaching millions.) Extrapolation of the Twitter-author curve (the dashed line) predicts that every person will publish in 2013. That is the ceiling: 100 percent participation. Provided current growth continues, the prediction of imminence is robust. Increasing the stringency of the criterion for “publishing” from 100 to 1,000 readers would reduce new-media authorship tenfold, but merely delays the predicted 100 percent participation by a year under this model

From the twitter this week:

Sesame Street and Friends 'pumping out left wing messages' -

Elevator Repair Service Performs at New York Public Library -

Groupon Counts on Writers and Editors to Build Its Audience -

From Shelves to Internet: America's Digital Library Takes Shape

New crowdfunded publishing project signs up major names

What Upstarts Can Teach Established Presses:

New Stats: E-Reader Usage Growing Much Faster Than Previously Predicted

HP finishes Paul McCartney’s private digital library

California Gay History Plan Widens Textbook Divide With Texas -

Houghton Mifflin Harcourt Expands Middle East Presence with Launch of Qatar Office

Rupert Murdoch uses eG8 to talk up net's power to transform education

And in Sports:

MU played off the field by Barca (I don't understand it either)

Saturday, May 28, 2011

Long article/interview with Pete Townshend (Intelligent Life):
The Who as we know them came into being in 1964, and soon became the most powerful, iconic and humorous emblem of the Mod movement. But their scope would extend far beyond a fashionable subculture. On stage, they were all you could hope for in a rock band: brutally arresting, unnervingly unpredictable and blisteringly loud. Then as now, pop music was dependent on a character-led plot to thrive, and The Who offered much. There were Daltrey’s Tarzan acrobatics with a swinging microphone, and the raw emotion in his voice, ranging from angelic yearning to a raging throttle. There was the bassist John Entwistle’s prowling menace, the traditional “quiet one” turned dangerous uncle. There were Townshend’s scything windmills of excitement and improbable leaps, vividly illustrating the visceral force of his songs. And then there was Keith Moon, a complex public lunatic, who lived as he drummed, with every complex flaw on brazen display. On their best nights, such as the one captured on the album “Live at Leeds” in 1970, the crowd witnessed a type of bombastic heist, an excessively glorious musical offence.

Thursday, May 26, 2011

Auckland and The Big I: March 1971
Another weekly image from the family archive.

We lived in Auckland, NZ between 1969 and 1973 at the Intercontinental which is the large building in the center of this photo. Taken in March 1971, you can imagine Auckland has changed significantly since then and now resembles Seattle quite a bit. Auckland even has a needle and many office towers but in those days the Big I was one of the largest (if not the largest) building in the city. The distance from the hotel to the docks wasn't far and my mother used to take us for walks around the piers which were both operational; hence the freighter on the left, and completely accessible. We would have walked around the pier in the center of this shot many times. Later I recalled, they built a large container crane which we could see constructed from our living room window and with that access to the docks gradually dissipated.

Join me on Flickr.

Wednesday, May 25, 2011

A good show day and, while I left as the cleaning staff arrived, a long day but mostly a day of boredom. The same conversations about the same problems spoken by the same people.

At one session I went to neighbor of the blog Bruce Lubin admitted that "digital is a pain in the ass" and to 'publishers of a certain age' there's a tendency to have some twenty year old take on the digital stuff. But, he cautioned 'you are doing yourselves a disservice by not taking on this responsibility yourself'. It seems to me an obvious truism but sadly a reflection of the continued hesitancy of the industry to embrace the new digital world. That anyone would have to say this in 2011 and for it to be internalized by 'publishers of a certain age' is regrettable.

During the day, I ventured into the bowels of Javits where something called Blog World was holding exhibits. While small, the vibe here seemed much more dynamic. Some companies seemed to have their entire staff on their booths and for all the black jeans and other requisite accoutrements of trendy new media I got the strong sense that I could expect this exhibit space to grow in size while I am less sure of the space upstairs where all the brand name publishers are exhibiting. Time will tell.

Yesterday I covered the comments from DRMAbuse but today's pithy comments come from The Reading Ape who numbers his/her observations:
2. Imprints from the Middle East had some seriously huge and beautiful booths. Though, much like a mall in Dubai, they were huge, beautiful, and empty.

4. There was one guy sitting the lounge outside the registration area with a weird hat advertising his book PROVING GOD. He sat there alone and made no move to pitch anyone his book or move about at all. I guess they don't make evangelicals like they used to.

12. The L. Ron Hubbard landing craft was a bit smaller this year, though it was more informative. Did you know you can get Dianetics in over 37 Earth languages?

17. A truckload of digital publishing businesses who all provide weirdly vague services. Can't help but think this is a kind of carpetbagging before the war is over.
Passing by the Dubai 'exhibit' two blonds (booth candy) conversing about what they planned to wear that evening but otherwise the booth was completely empty.

NY Times columnist Julie Bosman on the digital offerings at the Bookfair:

For three days the attendees wander the exhibit halls, mingling, promoting books, listening to speakers and collectively musing over the state of the industry over the past year. They have a lot to discuss. E-books have exploded, surpassing print sales for some new releases. The struggles for many brick-and-mortar bookstores have deepened as their customers began downloading books onto their e-readers from home rather than heading to stores.

Easily eliciting the most chatter was Amazon’s announcement on Sunday that it had hired one of the industry’s best-known veterans, the publisher turned agent Laurence J. Kirshbaum, to head a new imprint for Amazon that will publish general-interest titles. On Wednesday Amazon said it had acquired a book by the thriller writer Barry Eisler, who had announced this year, with much fanfare, that he was abandoning a six-figure contract with his publisher out of dissatisfaction with the traditional book industry.

Largely without insight but Jason Pinter's comments in the HuffPo mixed reality with entertainment:

She was an aspiring author, having completed a historical romance novel that she'd been working on for several years. She described it as "The Help, only better," and had come to BEA in hopes of enticing one of the hundreds of publishers in attendance to take a chance on her manuscript. "Everyone who's read it loves it," she said, adding that she refused to leave the conference without finding a home for her book. She was the kind of person, she told me, who wouldn't take no for an answer. For a brief moment, my unfortunate cynicism kicked into gear. As a former editor, I've been pitched by aspiring authors so many times at BEA and in other locations that I, for an instant, forgot what it felt like to be an author desperately hoping that my manuscript would find a home. I immediately felt wretched for this knee-jerk reaction, but one thing that reaction did is illuminate my feelings about BEA, and allow me to understand why it is so vital to the publishing industry.

It can be summed up in one word: Hope.

This woman's dreams, in a way, represented the dreams of every publishing professional packed into the steamy, Internet-unfriendly Javits Center. Every one of the 30,000 attendees entered BEA with dreams--and at BEA they all seem so tantalizingly possible. Amidst all the doom and gloom recently penned about the publishing industry, whether the opinions are actually informed or merely Chicken Little crowing at the sky (hello, Garrison Keillor and the New York Observer!), BEA exemplifies the passion and enthusiasm that is the backbone of the publishing industry. And that passion, in the face of all the changes, upheaval and negativity, is still wonderfully alive and kicking.

Tweets:

@Lmarknyt the lines for mindykaling and jimmyfallon at #BEA11 were too long... but i did get a free galley by an obscure croatian poet

@emilyw00 Kay: textbooks moving increasingly toward testing and diagnostics, Norton will have to decide what to develop or acquire there.

@IrisBlasi: Overheard @ Google: "Publishers are like venture capitalists for authors."

@nikki_blogworld Views from the Show Floor: Between the awesome sessions at BlogWorld today, I got a change to ... http://bit.ly/lVMtIg

Towards the end of the day, twitter abounded with the news that the "Kobo party rocks" but since I wasn't invited that's the last time I mention Kobo (ever).

More:
Day 1: Tuesday
Set-up Monday

Tuesday, May 24, 2011

Publishers have been known to be a bitchy lot but this year most of the bitching on day one seemed to be focused on the intermittent and or ineffectual wireless access on site at Javits. Perhaps the LA Times' Jacket Copy blog put it best: With so many writers, the 3G clogs like the 405 -
With New York's Javits Center filled with most everyone in publishing -- the staffs of major houses, representatives from bookstores across the country, authors, self-publishing houses, Scientologists (L. Ron Hubbard was an author), academic publishers, even media types like me -- capturing a 3G signal long enough to get a blog post online has been a challenge. We're all writers, after all.
Typical of conferences going back as far as I can remember is the requisite: What is The Future of [fill in the blank] and unsurprisingly it was eBooks this year and the seminar was written up nicely by Ed Champion:
“Publishing does not know how to market ebooks yet,” said Schnittman. “You’re looking at bestsellers tracking with bestsellers. Everything that we’re marketing in the stores is selling just as well.” I became skeptical of Schnittman when he started clenching his left hand, a gesture reminding me of some dodgy villain from a melodrama. Schnittman liked to talk quite a bit.

“Let’s be honest with ourselves,” continued Schnittman. “We’ve never marketed backlist before.”

These rather assumptive generalizations had me wondering if Schnittman had ever settled his precious hands onto the raw joys of genre or contemplated the way in which an author winning an award often results in backlist titles being repackaged. And what about presses like the University of Chicago Press, finding new life for Anthony Powell and Richard Stark?

...

When Turvey asked why all the book recommendation engines sucked, he allowed Schnittman to fall into his Socratic trap. (The unvoiced assumption: what is a bookseller but the ultimate book recommendation engine?)

“I think people do use it,” huffed Schnittman, when Turvey brought up the failed Genius feature in iTunes. “You use it with a caveat that it sucks.”

Then he got a little defensive. “You in the world of algorithms, you’ll figure out something theoretically better and better.” He then suggested that “the tail was wagging the dog,” before attempting to retract this because he had “used it yesterday. Nobody quote me on that one.”

I kept wondering why this apparent professional was more concerned with l’esprit de l’escalier rather than legitimate ideas. But at least he wasn’t as bad as Close, who again declared her willingness to argue in lieu of a legitimate argument: “I would argue we have always cared deeply about our consumers.” But for Close, that care has more to do with “buzz meters” and point-of-sale data.

Does the emperor have any clothes? Much more of the above from his post.

Over at Paid Content Laura Hazard Owen commented on the same session:
Though none of the panelists, publishers all, were ready to say they don’t care about consumers—Random House Digital President Amanda Close immediately responded that “we have always cared deeply about our consumers”—they admitted that they’re facing stiff challenges in getting readers to discover new e-books.
If you've been frustrated in trying to get hold of show dailies for shows like BookExpo, Frankfurt and LBF perhaps the Digital version of the BEA Show Daily that uses the Exact Editions system



And on the heals of yesterday's announcement from Kobo about their new touch screen eReader that continued to generate a lot of commentary, B&N announced a new version of their Nook. Whereas the Kobo seemed to generate digital oh's and arh's all day, the Nook seemed to generate not a lot. Having said that some non-industry commentators such as Mashable seemed to view the growing B&N eReader story as evidence of the imminent demise of the Kindle. Which of course is laughable.

Noted twitter comments from the day included:

@ Sitting here staring at my useless netbook wishing I could grab the wifi and smack it around a little

@ China mobile is key, mobile is in every far removed corner of the country, in areas where no other tech has penetrated.

@ Chinese domestic authors getting much bigger advances than foreign authors get, even $1 million, very competitive

RT @ebooknewser's account of the BN reveal of its touchscreen device. It's $10 more than the

@ My thoughts on where Trade publishing and the value chain is right now >> No New Normal - The Value Web:

Stats in digital content / ebook use

BEA Video Interviews: Oren Teicher, CEO, American Booksellers Association |

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LinkDAY 2 - Wednesday
Setup Monday

Monday, May 23, 2011

BookExpo hadn't even started before news that Larry Kirshbaum, was taking up a role with Amazon as their head of publishing dropped like the proverbial pin. Will B&N, which is rapidly growing their eBook and publishing business, adopt a similar approach? Meanwhile Kobo announced a new reader this afternoon which got many excited enough to start pre-ordering new equipment (more from LATimes)

At the IDPF conference there was much anticipation over the launch of ePub 3.0 which is nicely written up by Good eReader:

Primarily, this version of EPUB was formed from the working groups of the IDPF with the cooperation of over twenty companies who have come on board to implement it to their devices, and iBooks already support a subset of EPUB 3 right out of the gate while Adobe Digital Editions has forward plans. Additionally, one of the requirements from the IDPF was that EPUB 2 files still work on any device that uses EPUB 3, voiding any fears of obsoleteness and erasing participants’ concerns about needing to reformat EPUB 2 files to the new version.

The biggest crowd response came from the news that audio and video playback are synchronized with the text in real time through Media Overlays, as well as the fact that there is a pronunciation lexicon support . The new format will also mean greater global use, as the vertical language format for Japanese, as well as the right-to-left requirements from several languages will be workable; however, the real excitement there was that the entire book doesn’t have to be formatted for the one language, making it possible now to have a text with different language standards in it.

And they have some interviews in the rest of the article.

At the same conference Hannah Johnson wrote up the session: Publishers Debate Future of Enhanced E-books (PubP):
While the future of enhanced e-books and apps remains hazy, it’s clear that publishers are thinking a lot about how to monetize their content. They are making big investments (including the development enhanced e-books and apps) in order to find a solution. Nash is focused on building value through a community of writers and readers. Raccah at Sourcebooks has been successful building enhanced e-books and apps. This is just more evidence that the future of publishing isn’t a one-size-fits-all scenario.
At the ABA sponsored Publishing University Susan Danziger, CEO of DailyLit and Michael Healy, executive director of the Book Rights Registry reprised their London BookFair roles as moderators of the big debate: Authors and readers are all that matter. Publishers will soon be irrelevant. Here written up by Publisher's Weekly's Danny Snow:
Nash closed in favor of publishers, citing 18 million creative writers today who want to reach the 65 million consumers who spend five hours a week reading. He concluded that publishers are the essential link between readers and writers, especially independent publishers.
Not surprisingly, in the post-debate balloting (with a larger portion of the audience participating), the publishers in the audience voted for themselves again -- but in smaller proportion: 68 voted for publishers; 33 voted against publishers; 9 were undecided
Finally Library Journal held a Day of Dialog and here are some selected tweets (#LJdod11) where Karin Slaughter seems to have made an impact:

@acornsandnuts: I don't want, as a librarian, to have to be the gatekeeper for quality. Publishers (& editors!) have such a important role to play

@HuisceBeatha: If you cut library funding, you decrease access to books, "the great leveller" in a democracy, says Slaughter

@DonLinn: Library tweets are making a compelling case for libraries as a benefit to publishers...not just to the community

@AudioGo: Books are power. Library is way of giving access to everybody , great equalizer-Slaughter

@acornsandnuts: I don't think our patrons care about advocacy in large enough #s to have it matter. Note what came up earlier re: the NYC libs.

@glecharles: Are publishers paying attention to library social media efforts? Critical discoverability point; how to support, partner?

@surlyspice: notes Karin Slaughter is just as adorable as she was last year, only now she is helping to save libraries all across the country.

@glecharles: Karen Slaughter notes history of book banning, forced illiteracy to control people. Ebooks + digital divide a similar angle?

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Link
LinkDAY 2 - Wednesday
DAY 1: Tuesday
From the NYTimes,

Recent best-seller lists for magazines on the Nook Color bear this out. Magazine top sellers include US Weekly, Shape, Women’s Health and Every Day with Rachael Ray. Men’s magazines like Maxim and Men’s Health rounded out the top 20 late last week, but they were the outliers.

On the surface, the reason for the strong performance of female-oriented publications on the Nook is relatively straightforward. Generically speaking, the iPad and other tablets are men’s toys, while the Nook Color and other e-readers are more popular with women. According to data from Forrester Research, 56 percent of tablet owners are male, while 55 percent of e-reader owners are female. Women also buy more books than men do — by a ratio of about 3 to 1, according to a survey last year by Bowker, a research firm for publishers — and are therefore more likely to buy devices that are made primarily for reading books.

...

Not only have the terms of selling magazines on the Nook Color been comparatively easy to negotiate, but the process of creating electronic versions of magazines is also far easier and less expensive than it is to create an iPad edition. Publishers need only send a PDF of their latest issue, and Barnes & Noble takes care of the rest.

“As soon as a magazine is ready to send its pages to the printer, they send them to us,” said Jonathan Shar, Barnes & Noble’s digital newsstand manager. “It’s very efficient, and that’s part of our strategy. We knew that was important to publishers.”

Sunday, May 22, 2011

The financial times is reporting that on Tuesday Nature publishing will announce an experimental eTextbook offering pricing an electronic textbook at $49 for lifetime usage including frequent updates to the content. More from the FT:

The inaugural textbook in this new programme, Principles of Biology, will be used by three California State University campuses beginning this autumn.

Gerry Hanley, senior director for academic technology services at Cal State, said the university intended to expand the programme. On two campuses, students will be responsible for purchasing the digital textbook dihttp://www.blogger.com/img/blank.gifrectly from Nature. The third Cal State campus will purchase a site licence for the textbook and pass the cost along to students, a model similar to the way academic journals are sold.

The transition from an ownership model to an access model is already upending the music and film businesses, and Nature believes textbooks could be next. The textbook business is already under assault from websites such as Chegg.com, which match buyers and sellers of used textbooks. Nature’s new programme could provide yet another hitch.



Nature
From the Chronicle of Higher Ed an essay on privacy from law educator Daniel J. Solove: Why Privacy Matters Even if You Have 'Nothing to Hide' (Chronicle):
Most attempts to understand privacy do so by attempting to locate its essence—its core characteristics or the common denominator that links together the various things we classify under the rubric of "privacy." Privacy, however, is too complex a concept to be reduced to a singular essence. It is a plurality of different things that do not share any one element but nevertheless bear a resemblance to one another. For example, privacy can be invaded by the disclosure of your deepest secrets. It might also be invaded if you're watched by a peeping Tom, even if no secrets are ever revealed. With the disclosure of secrets, the harm is that your concealed information is spread to others. With the peeping Tom, the harm is that you're being watched. You'd probably find that creepy regardless of whether the peeper finds out anything sensitive or discloses any information to others. There are many other forms of invasion of privacy, such as blackmail and the improper use of your personal data. Your privacy can also be invaded if the government compiles an extensive dossier about you.

Privacy, in other words, involves so many things that it is impossible to reduce them all to one simple idea. And we need not do so.
Matthew Ingram looks for the lessons in the success of Go the Fuck to Sleep (GigaOm):
What some call “piracy” can actually be free marketing, as noted by some prominent authors. Neil Gaiman, for example, has said he was initially outraged by unauthorized sharing of his books, and tried to help his publisher stop it, but eventually he came to the conclusion that what piracy really amounts to is “people lending books.” As he put it in a video interview earlier this year:
[U]nderstanding that gave me a whole new idea of the shape of copyright and what the web was doing. Because the biggest thing the web was doing is allowing people to hear things, allowing people to read things, allowing people to see things they might never have otherwise seen. And I think, basically, that’s an incredibly good thing.
Another prominent example of this is Brazilian author Paulo Coelho. The well-known fantasy author doesn’t just take piracy in stride — he has actually assisted people in pirating his own books, by uploading copies of them to file-sharing networks (as has Gaiman). In the case of one book, doing this with a Russian translation helped build awareness of his other books in that country, where Coelho now sells millions of copies. He pirated his own works over the protests of his publisher, but the outcome was spectacularly successful.
From PaidContent's Laura Hazard Owen: How Libraries Are Bypassing Big Publishers To Build Their E-Book Offerings (PaidContent):
As a result of these restrictions by big publishers, McCormack says librarians are turning to smaller presses, which are generally less restrictive about offering access to their ebooks. Library Journal‘s arrangement with NetGalley will introduce librarians to new titles from many of these smaller e-book-only romance publishers. Angela James, Executive Editor of Harlequin’s Carina Press, estimates that over half of digital-first content is in the romance genre.
James predicts that romance e-book originals will be a hit for libraries. “Romance readers are such voracious readers and they can’t afford to buy all that content,” she says. They also tend to be very loyal to specific authors, so checking out e-books in libraries gives them a chance to try out authors they’re unfamiliar with, she says.
The (NY) Observer profiles Bonnie Fuller while also rehashing the nastiness and doesn't provide a punch-line (Observer):
After walking away from Us Weekly at her peak, surprising colleagues and inviting still more biting press attention, it was on to American Media Inc., where she'd been hired as editorial director overseeing a number of titles, including Star. Ms. Fuller's fall was sudden and would have seemed almost random had it not made for such delicious wish-fulfillment among those who'd long rooted for her demise.
When she left American Media in May 2008, with plans to start a new company, Bonnie Fuller Media, few were heartbroken by the reversal of fortune. Ms. Fuller planned, vaguely, to take on cyberspace with a web startup that promised, as this paper put it, to "approach Ms. Fuller as a brand" and "feature her blogging about topics such as gossip, fashion, and romance."
Real life 'Dad’s Army' revealed in secret diary Life in the Home Guard was often as hapless and farcical as the antics depicted in Dad’s Army, a newly-discovered diary suggests. "Yes, Captain Mainwaring, Sir" (Telegraph)
The diary shows that, like Captain Mainwaring, Mr Foster is constantly frustrated at the actions of his platoon, with both the young and old members proving unreliable.
In one incident, he describes sending a pair of young volunteers off to guard a remote waterworks overnight. He is not confident that they will stay awake, so he walks to the spot to check. Sure enough, when he arrives all is quiet, as he makes his presence heard, he can hear the guards waking up.
In another incident, a rifle target practice session ends in farce because, having split the platoon into competing teams of old and young members, Mr Foster finds the more elderly volunteers cannot hit the target because of their poor eyesight.
Another exercise involved stacking two lots of chairs up opposite each other in the parade hall to create makeshift trenches. Members of the unit then had to attack them using “dummy grenades”. Again, the age of the volunteers showed, so while the “old men” did well, they were forced to “give in from fatigue”.
The unit also take part in a mock invasion exercise at night time, but a number of elderly members decline, because they are scared of going out in the dark.

No doubt lost on many....Whenever we are at home and Dad's Army comes on Mrs PND has been known to wail "Oh no, not Dad's Army again".

From the twitter:

Librarians fight for a role in a digital world: Globe&Mail

Waterstone's future looks positively Daunting

Re-winding A Clockwork Orange with Malcolm McDowell - video

Frederick Forsyth: 'I had expected women to hate him. But no...’

Philip Roth: "I'm not caged in by reality"

Sterling Partners With HarperCollins UK On Reprints Of Classic Thrillers
- Len Deigton and Alistair MacLean

Houghton Mifflin launches $250K education challenge

Pearl Jam to release new book, documentary & album to mark anniversary

Google ditches newspaper archive plan

Hargreaves report recommends overhaul of copyright laws

And in Sport: Champions of England for a record 19th time (MEN)

Thursday, May 19, 2011

Hanging Chickens, Chinatown New York 2007
Another weekly image from the family archive.

This image is from Grand Street in Manhattan not that long ago. Walking through this part of town is like entering a different environment entirely although one that is very familiar to anyone who has visited Hong Kong. In some respects Grand Street is a mirror image of parts of HK.

Wednesday, May 18, 2011

Very surprising news from BISG this morning that Executive Director, Scott Lubeck has resigned for personal reasons and will return home to Austin, TX.

Here is the release from BISG this morning:

The Book Industry Study Group (BISG), the industry's leading trade association for policy, standards and research, today announced that Scott Lubeck, Executive Director, has resigned for personal reasons and will be returning to Austin, Texas. Deputy Executive Director Angela Bole has been named to fulfill the functions of the Executive Director on an interim basis, working closely with members of the BISG Executive Committee and Board of Directors.

“BISG has grown enormously in the last two years, tackling bigger issues, expanding the Board of Directors and developing important new initiatives,” said Dominique Raccah, Chair of BISG and Publisher and Chief Executive Officer of Sourcebooks. “On behalf of the BISG Board and the Executive Committee, I wish Scott well in his future endeavors and thank him for his contributions, which have benefited BISG tremendously.”

“I have appreciated the opportunity to serve this important organization and to work with its Executive Committee, Board, membership and staff,” Lubeck said. “It has truly been an honor. I intend to remain a vital part of this industry, and to remain active in BISG and a supporter of its many initiatives.”

Kenneth Michaels, Vice Chair of BISG and Chief Operating Officer, Hachette Book Group, reports that BISG has formed a Search Committee to identify candidates for its Executive Director position. “The Search Committee is seeking a candidate who will expand and enhance the resources BISG provides,” Michaels said. “The book industry looks to BISG for leadership, innovation and vision in a changing marketplace, and we look forward to identifying a candidate who embodies those qualities.” BISG has engaged the services of Bert Davis & Associates to manage the search for a new Executive Director.

“New BISG resources, best practices and research projects are developing at an amazing pace,” said George Tattersfield, Vice President Merchandising, Ingram Content Group Inc., and BISG Treasurer. Over the next few months, he noted, BISG will be releasing:

  • BookStats, the fruit of a joint venture with the Association of American Publishers that provides a comprehensive view of book publishing sales aggregated by revenue, units, categories, formats and distribution channels
  • a series of webcasts on selling more books with metadata
  • best practices for e-book identification
  • a standardized vocabulary for streamlining rights transactions in the digital era.

More information on these initiatives and others in process is available from Angela Bole at angela@bisg.org or 646-336-7141.